And In Today’s Jay-Z News…….

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Jay-Z is one of Time magazine’s 100 Most Influential People in the World.

Jay-Z embodies so much of what makes New York New York. A kid from a tough neighborhood who grows up in public housing, overcomes lots of bad influences on the street, never lets go of his dream, makes it to the top — and then keeps going, pursuing new outlets for his creativity and ambition. When no one would sign him to a record contract, he created his own label and built a music empire — before going on to design clothing lines, open sports bars and, most recently, represent professional athletes. He’s an artist-entrepreneur who stands at the center of culture and commerce in 21st century America, and his influence stretches across races, religions and regions. He’s never forgotten his roots — “Empire State of Mind” was a love song to our city — and as a co-owner of the NBA Nets, he helped bring a major league sports team back to Brooklyn, not far from his old neighborhood. In nearly everything he’s tried, he’s found success. (He even put a ring on Beyoncé.) And in doing so, he’s proved that the American Dream is alive and well.

- By Michael Bloomberg

 

Jay-Z also announced what some of us knew was coming for a while, that he relinquished his ownership in the Brooklyn Nets. In a letter released on his Life & Times site he thanks the Nets for his opportunity.

Being a member of the Nets organization surpassed some of my greatest ambitions. It was never about an investment; it was about the NETS and Brooklyn. My job as an owner is over but as a fan it has just begun. I’m a Brooklyn Net forever. It’s been an honor to work with Mikhail Prokhorov, Dmitry Razumov, Christophe Charlier, ONEXIM Sports and Entertainment, Brett Yormark and all the wonderful people involved in making the Nets first class. My sincerest thanks goes to Bruce Ratner, who first introduced the idea of moving the Nets to Brooklyn. A thank you and deepest appreciation goes to the fans. You are the lifeblood of any team.

The Nets have made their mark on the NBA and as they enter a new era, Roc Nation does as well; as we embark on Roc Nation Sports. Our newest endeavor is committed to building the brands of professionalathletes as we have done for some of today’s top music artists. For Roc Nation Sports to function at its full potential, NBA rules stipulate that I relinquish my ownership in the Brooklyn Nets. It was a tough decision but as I stated earlier, it’s not about ownership. Congratulations to The Nets on a great season and making the playoffs! I will always be a Brooklyn Net.

Does he still own the building? Can we trade in our receipts?

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Beyonce Covers The Gentlewoman

Beyonce The GentlewomanHere’s an article…and a new magazine that might have gotten past some of you She-Moguls. Beyonce graces the cover of the Spring/Summer 2013 issue of The Gentlewoman Magazine.  Beyonce lets her most basic beauty show through; looking more conservative than some of us who are force-fed Beyoce for breakfast are used to.  The publication (described below), is jam packed with all sorts of things a good She-Mogul may want browse. Whether it ends up on your subscription list or not, this issue may be a good addition to the coffee table. Follow the link for a sneak peak.

“The Gentlewoman is a fabulous publication for modern women of style and purpose. It offers a fresh and intelligent perspective on fashion that is focused on personal style – the way women actually look, think and dress. Featuring ambitious journalism and photography of the highest quality, The Gentlewoman celebrates inspirational women through the distinctive combination of glamour, personality and warmth in its collectable biannual magazine. And now, its growing community of international women will also be championed via its expanding website, set to re-launch this summer.”

Enjoy

 

 

Kevin Hart Covers Ebony

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Kevin Hart is on a roll as of late. Well really since the last year or two. He recently chopped it up with Ebony for their April issue.

Being serious around family members and his lady:

“Regardless of how much I joke and play around, my family and my lady don’t respect that about me. I’m serious, because I’m responsible for their well-being. I take that very serious. When it comes time to get naked, I’m serious there, too.”

On relationships and lying:

When I was married, I definitely went through a lying period. I just turned into a liar, but you learn from your mistakes. Being that guy once upon a time has helped me develop into the man I am now, and I approach relationships in a completely different manner.”

On why he doesn’t crack gay jokes:

“The repercussions for saying certain words are harsh, and careers have been shut down. I can understand how people could be affected by certain words and slurs. I get it. My way of showing respect is to not play around with it, not mention it, not joke with it at all. I understand how serious it is.”

On how he feels about making fun of the government:

“I’m afraid of the government. I watched Enemy of the State. That movie scared the s–t out of me. I keep my mouth shut.”

 

Beyoncé Knowles: The Queen B (Swipe)

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Has there ever been a steeper, stranger, more rollicking two-week roller coaster in American pop-cultural life than the one Beyoncé Knowles rode from the middle of January (not long after I interviewed her for Vogue) into early February? The craziness started, of course, with that national anthem on the Capitol steps; Beyoncé’s soaring rendition was lavishly praised at first, but then it was revealed to have been sung to a prerecorded track. The resulting uproar was noisy and blustery and as close to a scandal as Beyoncé had experienced in her life; for an artist accustomed to controlling the narrative, it was unfamiliar, awkward territory. It got nasty—Beyoncé was shoved forward as a symbol of a synthetic generation—and yet she said nothing for ten days, until surfacing in a white Olcay Gulsen minidress at a Super Bowl press conference in New Orleans on January 31. There, she opened by singing “The Star-Spangled Banner” again—clearly live—in a soulful and satisfying and very much Beyoncé way. As a bit of crisis-management stagecraft, it was a knockout, and after Beyoncé sailed through to the “home of the brave,” she smiled and offered two words to her skeptics:

“Any questions?”

Sure, there was still the Super Bowl, perhaps an even more treacherous high wire, given its ludicrous logistics (a megastage to be assembled and stripped apart between halves of a football game) and a global audience in the hundreds of millions. But from the moment Beyoncé appeared at the Superdome midfield, left hand on hip—below an enormous, flaming silhouette of herself, left hand on hip—it was obvious she brought a motive and probably a little bit of a grudge. The Super Bowl is no shrine, and there’s always something a little ridiculous about it (New Kids on the Block once got this gig), but Beyoncé’s performance was conspicuous in its determination to project authenticity: real energy, real dancing, and yes, real-as-hell singing. She powered through a hailstorm of hits, briefly being joined by her Destiny’s Child colleagues Michelle Williams and Kelly Rowland for a medley and a brush of Beyoncé’s “Single Ladies (Put a Ring on It).” It was impossible not to be taken by Beyoncé’s sheer relentlessness—in Proenza Schouler boots, no less. It was as if she was chasing all that post-Inauguration doubt down a narrow corridor, blasting a pair of laser guns. Minutes after she finished, almost poetically, the power would bonk out in the Superdome. Beyoncé’s husband, Jay-Z, sent out a triumphant tweet from the darkness: “Lights out!!! Any questions??” Continue reading

Leonardo DiCaprio Covers August Man

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On turning 40 in a couple of years: “I guess the big four-o hasn’t entered my consciousness yet. I believe it’s very important to look back on the choices you’ve made and re-analyze where you want your life to go and the things you want to do as an individual. I came from a lower middle-class background where, for me, being an actor never seemed like an achievable dream. Once I got my first opportunity to work on a movie, it’s really been a mad rush to fulfill that dream. As an actor, I do everything possible to tell a great story in a truly artistic way, but at the end of the day you never know how critics and audiences are going to respond. It’s always an eternal sort of mystery in making movies, and that’s the great fun, challenge, and excitement about doing what I do. My goal is to keep doing great work… I haven’t stopped yet and hopefully the work will never stop. While I’m here, I will always have that drive to not only produce great work, but to make a difference in the world.”